When having a party or planning an occasion, one is sometimes called upon to “rent the band”. The spirit-possessed performances of Otis Redding (crossover gospel singer) to the hyperkinetic screams of James Brown (“Say it Loud—I am Black and I’m Proud,” 1968) asserted black satisfaction, gave expression to the Civil Rights Movement, and shocked white audiences.
The dangerous, androgynous high quality projected by the Rolling Stones was taken to extremes by performers comparable to Alice Cooper and David Bowie, who were perhaps as well-known for his or her sexual ambiguity and outrageous behavior as for their music. ^ P. Auslander, Performing Glam Rock: Gender and Theatricality in Widespread Music (Ann Arbor, MI: College of Michigan Press, 2006), ISBN zero-472-06868-7 , p. 196.
Online Gender Inequality in Extreme Metallic Music”, Journal of the Worldwide Association for the Study of In style Music, vol.four(1) (2014), pp. a hundred and one-02. ^ a b J. Blair, The Illustrated Discography of Surf Music, 1961-1965 (Ypsilanti, MI: Pierian Press, 2nd edn., 1985), ISBN zero-87650-174-9 , p. 2.
Yet rock and roll has developed with each decade, and so have the youth phenomena associated with it. The teenagers of the Fifties had been categorized as juvenile delinquents (the boys) or insipid sock hoppers screaming for manufactured idols on the tv present American Bandstand (the ladies); either way, a decadent, selfish breed compared to the technology that had withstood the Depression and fought World Warfare II Sociologists, and the media that adopted their lead, checked out rock and rollers as deviants or as innocents manipulated by mass culture.
^ a b S. Frith, “Pop music” in S. Frith, W. Stray and J. Avenue, eds, The Cambridge Companion to Pop and Rock (Cambridge: Cambridge College Press, 2001), ISBN 0-521-55660-zero , pp. ninety three-108. ^ a b P. Auslander, “Watch that man David Bowie: Hammersmith Odeon, London, July 3, 1973” in Ian Inglis, ed., Efficiency and Common Music: Historical past, Place and Time (Aldershot: Ashgate, 2006), ISBN 0-7546-4057-four , p. 80.