Epic royalty free rock music featuring electrical guitars, drums, ba… But rock and roll has advanced with each decade, and so have the youth phenomena associated with it. The teenagers of the Nineteen Fifties have been categorized as juvenile delinquents (the boys) or insipid sock hoppers screaming for manufactured idols on the television show American Bandstand (the girls); both means, a decadent, egocentric breed in comparison with the technology that had withstood the Melancholy and fought World Conflict II Sociologists, and the media that followed their lead, checked out rock and rollers as deviants or as innocents manipulated by mass culture.
See C. Gillett, The Sound of the City (1970); C. Belz, The Story of Rock (2nd ed. 1972); M. Jahn, Rock (1973); A. DeCurtis, ed., Rock and Roll and Culture (1992); P. Romanowski et al., ed., The New Rolling Stone Encyclopedia of Rock & Roll (rev.
^ a b c d e f g S. T. Erlewine, “British Various Rock”, in V. Bogdanov, C. Woodstra and S. T. Erlewine, All Music Information to Rock: the Definitive Guide to Rock, Pop, and Soul (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ISBN 0-87930-653-X , pp. 1346-7.
Rock and roll, formerly a style dedicated to fun and loudness, had now turn into rock, a more critical Anglo-American artwork form with cultivated hyperlinks to politicized folks music and the hippie era’s notion of youth as a self-consciously oppositional counter-culture.
^ a b c d e f g S. T. Erlewine, “American Alternative Rock / Put up Punk”, in V. Bogdanov, C. Woodstra and S. T. Erlewine, All Music Guide to Rock: the Definitive Information to Rock, Pop, and Soul (Milwaukee, WI: Backbeat Books, third edn., 2002), ISBN zero-87930-653-X , pp. 1344-6.