We Do not Need No Training — How Much Do You Know About Rock Music?

Rock MusicRock music options vocals, electric guitars, a robust backbeat, and the occasional saxophone. ^ J. M. Curtis, Rock Eras: Interpretations of Music and Society, 1954-1984 (Madison, WI: Popular Press, 1987), ISBN 0-87972-369-6 , pp. 68-73. Rock had lost its innocence, and as the music’s recognition grew in the Seventies and Nineteen Eighties it grew to become a much more standardized industry.

^ B. Bradby, “Do-talk, don’t-speak: the division of the topic in lady-group music” in S. Frith and A. Goodwin, eds, On Record: Rock, Pop, and the Written Word (Abingdon: Routledge, 1990), ISBN zero-415-05306-4 , p. 341. ^ L. Starr and C. Waterman, American Well-liked Music (Oxford: Oxford College Press, 2nd edn, 2007), ISBN zero-19-530053-X , archived from the original on 17 February 2011.

^ P. Prown, H. P. Newquist and J. F. Eiche, Legends of Rock Guitar: the Essential Reference of Rock’s Biggest Guitarists (Milwaukee, WI: Hal Leonard Company, 1997), ISBN 0-7935-4042-9 , p. 113. ^ a b G. Thompson, American Tradition within the Eighties (Edinburgh: Edinburgh University Press, 2007), ISBN zero-7486-1910-zero , p. 134.

^ M. K. Corridor, Crossroads: American Well-liked Culture and the Vietnam Generation (Rowman & Littlefield, 2005), ISBN 0-7425-4444-3 , p. 174. ^ T. E. Scheurer, American Widespread Music: The Age of Rock (Madison, WI: Popular Press, 1989), ISBN 0-87972-468-four , p. a hundred and seventy.

^ C. McDonald, Rush, Rock Music and the Center Class: Dreaming in Middletown (Bloomington, IN: Indiana College Press, 2009), ISBN 0-253-35408-0 , pp. 108-9. ^ R. Walser, Running With the Devil: Power, Gender, and Insanity in Heavy Metal Music (Middletown, CT: Wesleyan University Press, 1993), ISBN 0-8195-6260-2 , p. 7.